![]() That just means you can’t mess with faders unless you have a DAW that can implement post-fader FX. The only caveat is there must be unity gain between the Channel and Buss plug-ins. VCC/VTM (which I loved) has been superceded by Clockwise HEAT, UAD API Vision/VTM. Meanwhile, I've moved onto UAD Neve 1073, Fairchild, API Vision and the 1176 plugs. I think I've ranted enough about (he')slate and waiting for VCC and AAX-DSP. ![]() In PT11HDX, I use VTM (AAX-Native) and VBC (AAX-Native). Each iteration has different formulas with varying color. I love non-linear plugs, and gravitated to Slate. Pro Demo Sessions in Hip Hop, EDM, ROCK, Metal in all DAW formats. ANA 2 Ultra Bundle synth, including 10 massive sound banks & new preset packs delivered every month. The other ones are not so linear and add color so the output on a single track is not the same as it’s input. Over 5,000 worth of Pro Plugins, including MetaTune, Custom Opto, and over 60 more. The Purest variations are the cleanest, which just means if you have a single track, saturated then desaturated, the output will be the same as the input.Īnd when you mesh multiple tracks there’s slight coloration in the summing but not much. That desaturation is what gives the whole thing a “glue”. Then those all feed to the master where you put a ConsoleBuss at the start. Each one gets a ConsoleChannel at the end. ![]() For example, VBCs manual will be in Applications/Slate Digital. By default, you can locate the user manuals in the Applications folder under the manufacturer name. The simplest distillation of how it works is a saturation/desaturation pair. Below, you will find links to manuals for Slate Digital and Eiosis.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |